Walamy Witkacy

 

Based on the text "Example Play" by S. I. Witkiewicz

 

Persons dressed in black: Krisztina Horváth, Andrea Kiss, Mátyás Juhász

Young man: Dániel Czéh

Old man: Pál Keczán

Girl: Orsolya Hollósi

Glass: Glass

 

Directed by: Krisztina Rosner

 

Janus University Theatre, Pécs, Hungary

2007

 

Photo: Máté Komjáthy


Come / Go

...Beckett?...

 

Performed by:

Orsolya FLO Hollósi / Krisztina VI Horváth / Andrea RU Kiss

 

Video:

András Verpeléti / Máté Komjáthy

 

Technicians: 

Gábor Regényi / Donát Tolnay

 

Dramaturg:

Katarina Mikulikova

 

Directed by:

Krisztina Rosner

 

Janus University Theatre, Pécs, Hungary

2008

 

Photo: Máté Komjáthy


Street Window 

 

Texts:

János Pilinszky

 

Performed by:

Orsolya Hollósi, Krisztina Horváth, Andrea Kiss, Attila Reinhart, István Tóbiás

 

Stage and costumes: 

Zsófia Herczig

 

Assistant:

Adrienn Szijártó

 

Technicians:

Gábor Regényi, Donát Tolnay

 

Directed by: 

Krisztina Rosner

 

Pécs Airlines, Hattyúház Gallery, Pécs, Hungary

2010

 

Photo: Máté Komjáthy


Niki

 

apartment theatre

Based on the play "Wunschkonzert" by Franz-Xaver Kroetz

 

Performed by:

Orsolya Hollósi

 

Production manager:

Zsófia Balassa

 

Directed by:

Krisztina Rosner

 

Pécs Airlines, a SZOBA Gallery, Pécs, Hungary

2012

 

Photo: Márió Tóth-Simon


Metadolce

 

Written by: 

Lilla Falussy

 

German Translation: 

Albert Koncsek

 

Performed by:

Christine Heller, Kata Lotz, Robert Martin

 

Music by:

Samu Csernák

 

Directed by:

Krisztina Rosner

 

Deutsche Bühne Ungarn, Szekszárd, Hungary

2013

 

www.facebook.com/metadolce

 

Photo: Dezső Horgász, Márió Tóth-Simon


The Tr... of Man

 

Text by:  

Imre Madách

 

Adapted for puppet theatre by:

Krisztina Rosner


Designed by:

Ágota Matyi


Music by:

Zoltán Komlóczi


Video by:

Mátyás Jankó


Directed by:

Gábor Sramó and Zoltán Tóth


Performed by:

Ádám Krum, Judit Borbiró, Dániel Czéh, Gábor Kalocsányi, Emese Nagy, Gergely Tölgyfa

 

A co-production of Bóbita Puppet Theatre and Apolló Cultural Association

Funded by the National Cultural Fund

 

Bóbita Puppet Theatre, Pécs, Hungary

2014

 

Photos: http://www.bobita.hu/gallery?category=452 


QUIET MICROCLIMATE / SILENT ROOM

 

Below is the description of my "QUIET MICROCLIMATE / SILENT ROOM" project that took place at the "Performing Climates" - Performance Studies International conference in Melbourne in 2016. It was located very close to the communal space (with a participant number of about 300), and it was great to see that people actually used the room for "zoning out" temporarily: taking a short nap, reading though their notes, or just looking out of the window.(The photo was taken in the early morning, in a rare moment when nobody was there. In the case of a silent room, what is better, I wonder: if it runs "full capacity" in a shared quietude, or if it's only you, or if there's nobody...) 

 

QUIET MICROCLIMATE / SILENT ROOM

(Dear John Cage and James Turrell, thank you.)

WHY:

Conferences are important. But conferences are exhausting. Amidst the dynamic overflow of scientific discussion, the constant buzz of socializing and the long hours of sharp focus, it is vital to slightly shift the academic climate of the conference by acknowledging and supporting the basic need for reflective time by creating an environment of quietude, in order to get the balance back between socializing and solitude during the day.

WHAT:

I would like to create and provide a space where people can “just be”, have a moment for themselves (or to take a short nap?). Like a cat lounge, a snail shell, an ambient zone, a retreat from the climate of continuous social interaction. It is not a performance, it is the temporary suspension of the performative: a public space of shared solitude. An inclusive yet tacit zone, open for local students and conference participants. A Quiet Microclimate, a silent room, where the visitor can gather his or her breath, thoughts, energies; it is a zone for being comfortably quiet, for spending some time off to recharge the social batteries.

HOW:

QUIET MICROCLIMATE // SILENT ROOM is for you.

Even if you share it with others sometimes.

Feel free to take a seat and:

- enjoy some quiet time;

- go offline for a while and keep your conference schedule and laptop in your bag;

- relax your shoulders;

- calm your breathing (or take a short nap).

 

With love,

Krisztina

 

Performance Studies International "Performance Climates",

July 5-9 2016, Melbourne,  

University of Melbourne, Old Arts Building, Room 220