●      Presence / Silence  – PhD thesis on the performer’s presence in relation to the uses of silence in plays and on stage, deconstructing the modernist term of auratic presence

●      non-human performativity: organic (animals, nature) and artificial (robots, androids, vocaloids)

●      contemporary Japanese performing arts

●      documentation and research of Robert Wilson’s work and the Watermill Center

●      Contemporary North-American theatre and performance

●      European and Hungarian theatre and plays in the first decades of 20th century (with an emphasis on special theatrical forms, e.g operette), and contemporary theatre in Hungary

●      Methods, practices and possibilities of theatre in the higher education